​とくじろう   Tokuyiro

Part 3: Finishing the warm-up

I'm also doing training that incorporates the drum rudiment that became famous after being introduced by a famous overseas player, but I wonder if this is a hobby.

It's like trying the wrinkles that person is doing.

In the case of conga, paradiddles and roughs are rarely used in actual salsa songs because the volume is low, but as training in the sense that both hands can be moved freely and quickly. Is effective, and I've been doing it for a long time with the intention of training double stroke variations and hand control instead of stick control.

It's perfect for warming up and training when you use both hands evenly.

Conga warming up and basic practice 3  

Conga warming up and basic practice 3'